Despite never really hearing any of his music, I was curious
enough to click on a random YouTube link to the tile track of one of the
Silkheart albums—Worshippers Come Nigh. I was blown away to the extent that
I paid way more that I usually to buy the CD, and it’s really killing, as the
jazz robots say. In addition to Brackeen, Olu Dara is on trumpet, Fred Hopkins
on bass (I heard him in the 1970s with the great trio Air), and Andrew Cyrille
on drums, with and assist on congas from Brackeen’s friend and fellow artis,
Dennis Gonzalez. The liner notes indicate that Brackeen insisted on extensive rehearsals
before recording, and it shows. The theme statements (all compositions written by
Brackeen, and good ones) are crisp and declamatory. Brackeen was a fine
post-Ornette player, Dara is a strong voice on trumpet, and Fred Hopkins is a
hugely impressive soloist and, along with Cyrille, really drives the band—freebop
at its best. Really, this is some of the most impressive music I’ve heard
lately. Do give it a listen. Health issues may have deprived us of much more
music from Charles Brackeen, but let’s be thankful for what we do have.
A blog recording my thoughts about music, books, movies, history, and anything else that pops into my mind.
Friday, January 21, 2022
Charles Bracken: Worshippers Come Nigh
I suppose it’s emblematic of the enigmatic career of Charles
Brackeen that although word
of his death this past November has been circulating online, as of today, his Wikipedia entry
refers to him in the past tense but provides no death date. Back in the day I remember
seeing Rhythm X, his debut LP on Strata East in the bins at Back Alley Discs in
Charlottesville, but didn’t pick it up (I now have in on the Mosaic Clifford
Jordan/Strat East box but haven’t played it yet). To my knowledge, he didn’t
lead another date until he did three records for the Scandinavian label Silkheart,
all issued in 1987. He also recorded with Paul Motian on ECM and was part of
the Melodic Art-Tet, which h recorded an album in 1974 that was released a few
years ago by a Lithuanian label, No Business Records (currently on order).
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