I caught onto Blossom Dearie only recently. I’d always
thought of her as a perky cabaret-type singer who did some quirky tunes (Peel Me
a Grape, Sweet Georgie Fame) with jazz inflections. Once I actually tuned in to
her music, I was hooked. I’ve been listening to a lot of Dearie lately, so when
I ran across one of her albums at the local Goodwill, it stood out like a
diamond in a pile of Big Head Todd and the Monsters albums. Seeing one of my
favorites of hers listed on the back clinched the deal. Once
Upon a Summertime, the title track, is a good example of her ability to
sing a sad song without making it either over dramatic or lachrymose. She sings
Tea for Two, including
the verse, in a slower, more reflective mode than most singers, emphasizing that
the happiness of the couple in the song is one that may lie in the future but
not the here and now. She does something similar with the notoriously bouncy Surrey
with the Fringe on Top.
My favorite tracks are the more upbeat ones, though. Down
with Love has great anti-love lyrics, and Dearie tears through it with
gusto. She also moves quite jauntily through If I Were a Bell, her
small, clear appropriately bell-like. On all of the tracks she accompanies herself
quite nicely on piano, aided by Mundell Lowe on guitar (check out his tasty solo
on Our Love is Here to
Stay), Ray Brown on bass, and Ed Thigpen on drums.
So, yes, I slept on Blossom Dearie for far too long, but I’m
trying to catch up. That favorite I talked about at the beginning? Moonlight Savings Time. In less than
two minutes, Dearie does a great job with a cute old song and adds a nice piano
solo – as good an introduction as any to this unique artist.
Exquisite articulation and that not Too sweet tone...
ReplyDeleteShe communicates emotion without sentimentality,like all of the best vocalists.
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