Showing posts with label soul jazz. Show all posts
Showing posts with label soul jazz. Show all posts

Sunday, January 27, 2019

Bobby Forrester, Jazz Warrior: Bobby's Blues


Toward the end of Bob Porter’s excellent book Soul Jazz, there’s a paragraph that rounds up all of the great jazz organists who never quite made the commercial splash that the musicians covered in his earlier chapters managed to achieve, and Bobby Forrester is one of them. For many years, he was Ruth brown’s accompanist and music director, and gigged around New York with many of the greats of jazz, R&B, and rock (think Bonnie Raitt) before his untimely death in 2002 at the age of 55. Like many jazz musicians, to paraphrase the poet John Davidson, he “fell, face forward, fighting, on the deck.”

Before he left town, though, he recorded several albums, including Bobby’s Blues. There are no liner notes, but the copyright data indicates it was recorded and mixed in 1993 and mastered in 2013. Forrester is accompanied by Joey “G-Clef” Cavaseno on alto, William Ash on guitar, and Clarence “Tootsie” Bean. It’s a classic slice of soulful organ combo music. Forrester has a distinctive style and digs deep, as in the title track. Ash is technically proficient but can get down with the best on the blues. Cavaseno, like the others on the date, is a stalwart of the NYC scene, and Bean provides strong rhythmic support throughout. I was a bit unsure when I looked at the song list, but even a chestnut like I’ll Never Smile Again gets a grits-and-greens makeover.

Check out Bobby Forrester―I’ll be doing so in the future, believe me. Here are a couple of the tastier tracks, but if you like music from the golden age of soul jazz, you’ll like all of Bobby’s Blues. Note: I hope to write more about Porter’s Soul Jazz in a future post.





Tuesday, January 10, 2017

Dreaming of Spanish Harlem: Pucho and the Latin Soul Brothers

Henry “Pucho” Brown isn’t Hispanic, but he grew up in the vibrant cultural stew of what used to be called Spanish Harlem. His resultant immersion in said stew resulted in the formation of Pucho and the Latin Soul Brothers, which recorded repeatedly for Prestige Records in the late 1960s. This band was only a name to me until I listened to this compilation from BGP, one of the Ace family of reissue labels. There are lots of funky Latino beats, of course, but what really resonates with me is the subtle background influence of John Coltrane and other contemporary jazz artists. It’s not just the versions of Herbie Hancock’s Cantaloupe Island and Maiden Voyage, but also the slightly melancholy tones of Vietnam Mambo, the bristling Psychedelic Pucho, and the pulsating Cloud 9

Maybe it’s the current dismal political environment, but I hear undertones of spiritual jazz and Vietnam-era political unrest behind the party beats and soul vocals. OK, maybe it’s just me and my reaction to the climate of lies and impending rule by corrupt plutocrats, so it's fine just to listen and move your body to some vintage butt-shaking sounds. Special kudos to Claude Bartee on sax, Eddie and Al Pazant on reeds and trumpet, respectively, Neal Creque on keyboards, and Pucho on timbales. I’ve got to check out more of the Soul Brothers! Here's Maiden Voyage.